steve till wrote:I also find it interesting that midi notes tops out at 127, which is a G, and therefore cannot go all the way to the top C of a one foot stop. Yes, rare on organs, but they do exist. But they do go all the way down to note 0, which is 64 foot CCCCC, which is only found on two rare pipe organs in the world.
I have always been fascinated by such things. I wonder if anyone has created a real 64 foot stop on a Hauptwerk organ?
Hi Steve,
Midi as such is oblivious to pitch. You press the lowest note on your keyboard which will result in your midi controller to send out a NoteOn/NoteOff message on midi note 36 (this is the same for manuals and pedal board even though the "normal" pitch for the pedal board is considered to be 16' rather than 8'). The midi message arrives at the computer/Hauptwerk. Now to my understanding even Hauptwerk is oblivious to pitch (mostly at least ... tuning of samples is obviously possible). The midi note is only converted to pitch once Hauptwerk starts playing a sample.
You asked about a 64' stop. The Palace of the Arts, Budapest (Inspired Acoustics) has to my knowledge the only virtual 64' stop available (which is a resultant stop). Either way the lowest 8Hz note will be played by playing the lowest key on the pedalboard which will fire a midi event on midi note 36 ... no midi note 0 will be involved on any step of the way.
Similarly if you play the highest note on your manual this will cause midi note 96 to fire. Regardless of whether you play a 16' stop or a 1/2' stop (does something like this exist?).
I'm trying to get across that it doesn't really make sense to think of midi notes in pitch when you start looking at higher or lower harmonics in organ stops.
Midi was a convenient standard developed to cover all conventional keyboards, which includes pianos (88 keys) as well as organs (61 keys). A range of 0-127 was therefore fully sufficient.
Best regards
Mathis