Thu Apr 04, 2019 7:24 am
Tonally, a Geigen Principal will usually produce more harmonic content (and less fundamental as implied above) than a standard principal because of it's narrower scale.
The Geigen Principal is often used in English Swell divisions with an 8' foundation.
My limited experience suggests that on a two manual instrument, it's most often the "minor" principal (where the Great Principal is the "major") and will tend to be voiced slightly fatter / fuller (e.g. in the principal direction). On a larger instrument with a Choir / Positiv division, there'll often be an alternative principal stop in that division, so the Swell principal will be more valuable for introducing harmonic content (like the rest of the swell) and the scale of a Geigen will tend to be narrower and the tone thinner.
This is of course complicated by different builders having their own preferences and the presence (or not) of other string, principal or hybrid stops (e.g. Gamba, Viola, Salicional, Open Diapason, Principal) where the function of the Geigen will change according to the disposition of the rest of the division / instrument.
It's worth mentioning that it's common to extend / duplicate whatever is used for the Swell 8' principal to provide the 4' principal too. This is why you quite often see combinations of Salicional / Salicet or Geigen Diapason / Geigen Principal for the 8' / 4' combination on the Swell. (More often though, the Swell 4' principal is called "principal" or "octave" and the only way to be sure what it is, is to hear it or look at the pipework.) However, in all of these cases, it's clear from the relationship between the 8' / 4' stops and their naming that the intention is for the Geigen to be considered with the other principal stops and not the strings.