Hello Pat,
Thanks for your kind words. I am pleased to have been able to offer some help. My professional background is in music education. As an organist and occasional teacher of organ I have in the last 30 years taught quite a few adult beginners. Often these are the students who many organ teachers don't want to work with. As such I have become familiar with quite a few published organ methods.
Another post to this list has mentioned a book by David Sanger. When it first appeared, that book was a breath of fresh air and a significant step in the right direction, as just about every organ method before it was based upon the assumption that all organ students begin life as brilliant pianists. However it falls short in what teachers know as "scope and sequence". It appears to start out well, then the exercises become erratic in the order and the way in which various skills are introduced. Then suddenly the book dives into much harder stuff, leaving a rather big gap for the students to somehow fill in on their own. As a matter of some amusement, I was surprised to see in this book a photograph of feet on pedals, showing a player wearing entirely the wrong style of shoes for pedalling - with single-piece sole without a separate raised heel! Still, this book does have it's good points. Its repertoire section, like that of the Leopold book, aims to provide a balance between the old and the new. On the technical front, the pedal scales in Sanger are excellent. They consistently allow the player to prepare the position of the feet for the next note while playing the current note. Good pedalling is really a two-stage process - first moving into position over the note ahead of playing it, and second pressing it down at the right time. Considering how good this part of the book is, I still find it astounding that such a poor photograph of feet on pedals got past the proofreading stage!
The First Organ Book which you have ordered from Leupold is in my opinion way ahead of Sanger and many other organ methods. It is also very recent and continues to be revised and improved. The latest edition which I have is the 2nd, dating from 2004, but according to the website this book is now into its 3rd edition and that's probably the one you'll get. The sections on technique are well graded, the explanations are clear, and the musical examples are well chosen and appealing. Numerous contemporary composers were commissioned to contribute to this book, and their works placed alongside others of earlier periods and styles give a good balance between the old and the new.
The book by Grover is not an organ method. It's a small book filled with lots of advice about good practicing skills.
I wish you every success with your studies!
Regards,
Andrew
Thanks for your kind words. I am pleased to have been able to offer some help. My professional background is in music education. As an organist and occasional teacher of organ I have in the last 30 years taught quite a few adult beginners. Often these are the students who many organ teachers don't want to work with. As such I have become familiar with quite a few published organ methods.
Another post to this list has mentioned a book by David Sanger. When it first appeared, that book was a breath of fresh air and a significant step in the right direction, as just about every organ method before it was based upon the assumption that all organ students begin life as brilliant pianists. However it falls short in what teachers know as "scope and sequence". It appears to start out well, then the exercises become erratic in the order and the way in which various skills are introduced. Then suddenly the book dives into much harder stuff, leaving a rather big gap for the students to somehow fill in on their own. As a matter of some amusement, I was surprised to see in this book a photograph of feet on pedals, showing a player wearing entirely the wrong style of shoes for pedalling - with single-piece sole without a separate raised heel! Still, this book does have it's good points. Its repertoire section, like that of the Leopold book, aims to provide a balance between the old and the new. On the technical front, the pedal scales in Sanger are excellent. They consistently allow the player to prepare the position of the feet for the next note while playing the current note. Good pedalling is really a two-stage process - first moving into position over the note ahead of playing it, and second pressing it down at the right time. Considering how good this part of the book is, I still find it astounding that such a poor photograph of feet on pedals got past the proofreading stage!
The First Organ Book which you have ordered from Leupold is in my opinion way ahead of Sanger and many other organ methods. It is also very recent and continues to be revised and improved. The latest edition which I have is the 2nd, dating from 2004, but according to the website this book is now into its 3rd edition and that's probably the one you'll get. The sections on technique are well graded, the explanations are clear, and the musical examples are well chosen and appealing. Numerous contemporary composers were commissioned to contribute to this book, and their works placed alongside others of earlier periods and styles give a good balance between the old and the new.
The book by Grover is not an organ method. It's a small book filled with lots of advice about good practicing skills.
I wish you every success with your studies!
Regards,
Andrew