GrahamH wrote:I configured the Lexicon for what I considered to be the most appropriate reverb variation and length etc. and - this is the important bit - I set the Mix at 100% wet (i.e. zero dry), and I set the volume level of the rear speakers to be very low.
With this set-up I didn't get any blurring of the sound from the main front speakers, but at the same time, when I lifted my hands off the keys after the final chord of a piece, the sound didn't instantaneously die as normally happened with dry-ish sample sets.
That's somewhat I do with some 4-channel samplesets, like the SP Boizard 1714 St. Michel en Thierache, to increase their clarity and emulate an audio perspective nearer to the organ. I trim the wet channels at 750-1000ms and put the rear channels to sound -6db relatively to the wet ones.