Here are a few clues why it must be the Dom Bedos model:
* The date the video is posted (end 2012). This eliminates a lot of new sample sets.
* The chamade. This eliminates organs like Zwolle and Kampen
* The cornet on the upper manual. This eliminates Rotterdam
* and the best clue: the characteristic chiff of the flute(s). The chiff is really the "trademark" of the Dom Bedos model.
The most striking feature is the voicing of the flue pipes: the timbre is dominated by an extraordinary expressive chiff and also the steady portion of the tone is pushed on the edge of the pipe speech stability with rather strong presence of the hiss of air passing through the pipe mouth - all this contributing to the unusually light and harmonically rich tone color. One is forced to ask whether these tonal qualities are really mirorring the fashion of the time of Dom Bédos (which is after all probable - it was time of intense expresivity in organ sound, stylistically very different from -for example - the typical sound of a French organ at the beginning of 18th century) or whether the nature of Bartolomeo Formentelli took over here. Most probably both the aspects contribute to the result. The organ of St. Domenico in Rieti is therefore a modern meditation on the Dom Bédos heritage. This makes it a unique instrument.
(
http://www.sonusparadisi.cz/en/organs/m ... model.html)
A free demo can be tried via this link:
http://www.sonusparadisi.cz/en/blog/dom ... ample-set/