
There has been a recent discussion in another thread about stop screen layouts in Hauptwerk sample sets. One side expressed a preference for screen shots from the original organ. Others expressed a preference for simple layouts that they find easier to use. This is the purview of human factors engineers.
"[H]uman factors engineering focuses on how systems work in actual practice, with real—and fallible—human beings at the controls, and attempts to design systems that optimize safety and minimize the risk of error in complex environments. -PSNet
There are differences among the various national schools of organ building which determine stop layout, pedalboard configuration and standard manual layout. Part of the experience of playing on an historic instrument is engaging with these differences.
In the age of Hauptwerk, it is possible to play instruments in the far flung reaches of our planet in a single afternoon. It seems in the Hauptwerk community, we find ourselves collecting instruments. If we want to play a French Romantic piece, we can select a French Romantic instrument. One can play an entire concert of pieces from around the world on instruments from around the world.
As exciting as this is, it also presents challenges. One sample set may have the main manual division on keyboard 1, another set on keyboard 2. Hauptwerk allows the user to assign each manual division of a sample set to one of their keyboards. While I have been tempted to make all of my sample sets follow the same layout, I have resisted. Certainly I could not usually do this if I were playing an organ live, so I feel I need to adjust to the layout of the original instrument.
I thought it would be interesting to hear how some of you deal with these challenges.
"[H]uman factors engineering focuses on how systems work in actual practice, with real—and fallible—human beings at the controls, and attempts to design systems that optimize safety and minimize the risk of error in complex environments. -PSNet
There are differences among the various national schools of organ building which determine stop layout, pedalboard configuration and standard manual layout. Part of the experience of playing on an historic instrument is engaging with these differences.
In the age of Hauptwerk, it is possible to play instruments in the far flung reaches of our planet in a single afternoon. It seems in the Hauptwerk community, we find ourselves collecting instruments. If we want to play a French Romantic piece, we can select a French Romantic instrument. One can play an entire concert of pieces from around the world on instruments from around the world.
As exciting as this is, it also presents challenges. One sample set may have the main manual division on keyboard 1, another set on keyboard 2. Hauptwerk allows the user to assign each manual division of a sample set to one of their keyboards. While I have been tempted to make all of my sample sets follow the same layout, I have resisted. Certainly I could not usually do this if I were playing an organ live, so I feel I need to adjust to the layout of the original instrument.
I thought it would be interesting to hear how some of you deal with these challenges.