johnstump_organist wrote:For me, the most painstaking part is scoping the divisionals. BUT, the only way I could see that working would be to get all sample set producers to label stop controls with a consistent Division I, Division II etc. type label where Div. I was the Great, Hauptwerk Grand Orgue or any other name the main division might be called. Division II could be Choir, Positive, Ruck positive, etc. Division III Swell, Recit etc. but would it include Echo divisions, an occasional name for the Swell (think some English and French Classical organs) but also the name for a separate division on an organ that has a swell and en echo (think early 20th century AMerican organs).
One could also run into trouble with some more esoteric division names or individual organs. For example some Fisk organs had Choir and Positive divisons, so that would defeat calling all such divisions "Division II" and if an organ had a Brustwerk and a Swell and you had decided to make them Division III in general you would have trouble there.
Hello John,
Unfortunately I don't think it would realistically be feasible to transfer scopes between organs, since it's effectively impossible to require uniformity of labelling for all sample sets and sample sets and producers.
mnailor wrote:Oh, well, I can see why this isn't a top priority feature.
smfrank wrote:I know what that means, and since I’m turning 65 next month, I’ll never see it.
I do understand, and it is a high-priority enhancement request, and I very much hope that at some point in the future we might have more people working with us so that we can get new features implemented faster.
Best regards, Martin.
Hauptwerk software designer/developer, Milan Digital Audio.