josq wrote:Great! You may consider to increase the brightness with almost the same amount of dB as you decrease the amplitude. This way, you can recover the harmonics while eliminating the "booming" sound of the fundamental of that specific note.
If you ever share your HW recordings with others, take into account that different rooms will have different impact on the sound. In that case, it is better to record without voicing parameters enabled
Those are good tips.
josq wrote:Personally I use room correction software (ARC2) to remove this kind of problems. You can find more information elsewhere on this forum.
I'm going to look into this. All of my sample sets suffer from similar issues, primarily certain notes in the pedal division. Using an ARC type solution before voicing all of the sample sets, and future sample sets may well reduce the voicing workload.