imcg110 wrote:Hmmm........
Firstly - the fairground sound is not really my cup of tea. I don't think it brings out the best in a very expressive and musical instrument - but - the transcriptions do seem to work very well.
However - a torrent of similar recordings one after the other is a bit of overkill - irrespective of the genre.
I also still have mixed feelings about the ubiquity of MIDI recordings on contrebombarde. I have always thought of it as a showcase for musical talent. There are some who produce their own midi files (Mr Pressler comes to mind) that are of remarkable musical quality and show a real dedication to the interpretation of the music. There are others who download MIDI files from the internet - feed them through an organ and post, post, post. I really have little interest in these latter postings. As a musician I am interested in fellow musicians interpretation of music and interaction with a particular instrument, not in a mechanical reproduction of the notes. Contributors obviously have the option to tell us how they achieved their recording, but the origins of "MIDI" performances are rarely divulged. I personally see most of these postings as the "dead wood" of Contrebombarde.
Maybe it was a little to much in a very short time but I think my postings are of a very high quality.
The right combination for Piano/Forte, was not easy to find and it needed some voicing as well.
The result is a very realistic sounding fair organ, in my opinion a great complement to Hauptwerk.
Indeed this are MIDI files (captured from real fair organ books), this music is impossible to play
by human in this way, and in another way it would not sound like a fair organ as it does now.
Fair organs are no chromatic instruments and to arrange music for them is a hell of a job.
I know someone who does this for living, he is the most musical man I know.
Best regards,
Roland