Since I have no experience with actual pipe organs, can one of you clarify the comment 'high end'?
magnaton wrote:Diaphonic Diapason: I upped the volume on this rank a lot so it would add a lot of weight to Accomp 2nd touch lines and to full organ. I also turned down the high end of the tenor octave to eliminate the "breathy" characteristic.
I had assumed you meant reduce the volume of the higher notes, but you know what they say about 'assume'...
I only have a two-channel (stereo) output, so I am focusing on the 'All Perspectives' options:
• All perspectives: overall: tuning (cents).
• All perspectives: overall: amplitude (dB).
• All perspectives: overall: amplitude stereo bal (pct).
• All perspectives: overall: brightness (dB).
• All perspectives: overall: brightness stereo bal (pct, beyond +/-100 inverts).
• All perspectives: tremulant mod: pitch (pct).
• All perspectives: tremulant mod: amplitude (pct).
• All perspectives: tremulant mod: amplitude stereo bal (pct, beyond +/-100 inverts).
• All perspectives: tremulant mod: brightness (pct).
• All perspectives: tremulant mod: brightness stereo bal (pct, beyond +/-100 inverts).
• All perspectives: wind supply mod: pitch (pct).
• All perspectives: wind supply mod: amplitude (pct).
• All perspectives: wind supply mod: amplitude stereo bal (pct).
• All perspectives: wind supply mod: brightness (pct).
• All perspectives: wind supply mod: brightness stereo bal (pct, beyond +/-100 inverts).
• All perspectives: swell boxes mod: amplitude (pct).
• All perspectives: swell boxes mod: amplitude stereo bal (pct, beyond +/-100 inverts).
• All perspectives: swell boxes mod: harmonics (pct).
• All perspectives: swell boxes mod: harmonics stereo bal (pct, beyond +/-100 inverts).
Thanks for the comments thus far -- very helpful.