Tue Jun 29, 2021 7:25 pm
I have the Erato set of the third recording of Marie-Claire Alain's complete Bach cycle. I seem to remember that in the booklet that came with the CD's the organ used for each recording is listed, together with the stoplist, but also the registration (and changes) used for every piece. I have ripped all my CD's to FLAC files which I keep on a network server in the house with a second copy on a hard drive in the car and a third copy as a back-up, so the original CD's are in boxes in a corner of the house and not readily accessible, therefore I can't immediately check.
However, I have also set up playlists on my Sonos system for all the recordings I have (or can readily stream) of organs available on HW, plus quite a few historic ones that aren't. On it are Alain's recordings of the Trio Sonatas, and she is using the Arp Schnitger organ at the Aa Kerk, Groningen.
I have far too many recordings of the complete Bach organ works (or maybe not enough), and I have played them all through quite a few times. I love Alain's playing, and I would be very interested some time to hear her earlier recordings for comparison. I quite like Ton Koopman,also on historic instruments, though his playing is rather eccentric, but my favourite is Peter Hurford, despite most of the performances being on fairly recent Organ Reform-type instruments. They are just so musical and full of joy. I have recently come across David Goode's new recordings on the Metzler organ at Trinity College, Cambridge (where I was an undergraduate, though sadly I didn't pay much attention to the organ while I was there), and I have thoroughly enjoyed those, too. On the back of that I bought the Poblet sampleset by OAM which is also a Metzler organ, and while it has been recorded slightly too wet for my taste it is nevertheless beautifully voiced and one of my favourites. I also have Helmut Walcha's old mono set, which I can't say made a huge impression on me, and Walter Kraft, who is impressive in the big pieces, but his chorale preludes are so pedestrian that it sounds as though he is sight-reading them. The first set I bought, while I was still at school, was Lionel Rogg, but these are all on LP's, and although I still have a system for playing them, they are all in the attic so I haven't listened to them for so long that I can't remember how they compare; as far as I know they haven't been reissued on CD's.
I have also come across a web site with complete Bach recordings by James Kibble on historic instruments (including Rotha). I don't know who he is (I think an American academic of some kind) but they are all there to download free of charge and are well worth listening to. Werner Jacob's complete Bach set also uses a number of interesting historic organs, and his recording of the Toccata and Fugue in F on the Muller instrument at St. Bavokerk, Haarlem, is thrilling, not least for the sound of the instrument.
In case anybody is interested, these are the HW organs that I currently have on my playlists. I am only listing the CD sets, not piece by piece which would take far too long. I would love to know of any more, and particularly if anybody else has done something similar:
Arlesheim (J A Silbermann) OAM - Complete Bach organ works, Werner Jacob and Marie-Claire Alain
Bovenkerk Kampen (Hinz) MDA - Werner Jacob, complete Bach; Jacques van Oortmersson, complete Bach vol. 4
Georgenkirche Rotha (Gottfried Silbermann) MDA - Werner Jacob, Marie-Claire Alain, James Kibble
Grosshartmansdorf (Gottfried Silbermann) Pipeloops - Werner Jacob, complete Bach
Ottoberuren (Riepp) OAM - Ton Koopman, Walter Kraft complete Bach; Ulrich Bohme, Art of Fugue
Marienkirche, Rotha (Gottfried Silbermann) MDA - James Kibble
St Peter & St Paul, Cappel (Arp Schnitger) MDA - Werner Jacob complete Bach
Stade (Hus, Arp Schnitger) OAM - Walter Kraft, James Kibble
Steinkirche (Arp Schnitger) OAM - Werner Jacob, complete Bach
Dorpskerk, Noordbroek (A Schnitger) Sonus Paradisi - Gwendolyn Toth "The Arp Schnitger Organ in Noordbroek" various composers
Petrikerche Freiberg (Gottfried Silbermann) Sonus Paradisi - Alexander Koschel "G. Silbermann Orgel, Petrikirche in Freiberg" various composers
Poblet (Metzler) OAM - Christopher Herrick "The Power of Life" various, Juan de la Rubia "Bach" (I think that is the name of the album)
St Bavo, Haarlem (Christian Muller) Voxus - Piet Kee (from 10-disc set "Famous Dutch Organs"), also quite a lot of other albums on Spotify (?) various; Werner Jacob, M-C Alain, Walter Kraft, complete Bach, Jacques van Oortmersson, Bach vol 10, also "Live at St. Bavo" (Bach and Mozart), Albums by Evan Bogard and Tolouse, I can't read the titles on the thumbnails
St Martinikerk, Groningen - Ton Koopman, M-C Alain, Walter Kraft, complete Bach, Wim van Beek from "Famous Dutch Organs"
St Michaels Grote Kerk, Zwolle (A and FC Schnitger) Sonus Paradisi - Werner Jacob, complete Bach, Wouter van den Broek, from "Famous Dutch Organs", Lucas Lindeboom (can't read the title on the thumbnail - various composers)
St Walpurgisker, Zutphen (Hans Heinrich Bader) Sonus Paradisi - Ton Koopman, complete Bach; Klaas Stok, various Bach (can't read the name of the album)
Velosovo (Morcnik) Sonus Paradisi - Carson Cooman "A Marvellous Love - new music for organ"
Vollenhove (Bosch-Schnitger) OAM - Bram Beekman "Johann Sebastian Bach"
Just in the last couple of days I have been playing Krszeszow, which is quite different from any of the other HW organs that I have - quite a large acoustic, but also rather unusual starting transients on many of the pipes and prominent fifths on many of the stops, quite vicious mixtures, some of them with thirds, the variety of tones available at 8' and 16' pitch that Bach is said to have loved, strings and two celeste stops. Most of the stops sound rather different from how I expected them to, though I have ended up with some effective if unusual registrations. I would love to know if there are any CD's of this organ. It must have been very expensive to restore it in 2008 and I would be surprised if nobody has recorded it. There are some YouTube videos demonstrating it but they are all in Polish.
According to my Sonos playlist, the Treutman organ that Alain used is the one at Stiftskirche, Goslar Grauhoff, in case you don't already have that information. I'm not sure what you mean by a darker sound, and I will have to listen to those recordings again. The various Schnitger and Silbermann organs on HW are all quite bright, as is the Muller organ at St. Bavokerk, Haarlem. Krszeszow is darker, until you add the mixtures which are quite fierce. Velosovo (a modern "Bach" organ) is voiced quite gently, and Poblet (also built as a Bach organ) has a very smooth and seductive tone with everything blending well, and great tonal variety. Trost is quite a different sound and conception from Schnitger and Silbermann, and so is Zutphen (from Sonus Paradisi), which is quite an old organ, though another one I enjoy playing. Trost is supposedly more authentic as a Bach organ as he is supposed to have approved of Henry Trost's instruments. All of these (old and new) have in common lots of different 16' voices in the pedal, along with a 32', 16' in the manuals, a variety of 8' in the manuals, including strings, and plenty of mutations including the option of having mixtures with thirds.