jerrymartin wrote:I am thrilled so far and wanted to give early positive feedback and answer vpo-organist's question to some degree.
To answer vpo-organist's other question, there are the (typical) three releases (within the very wet acoustic). And as Jerry has said, setting the three perspectives (and overall audio level) properly is very significant for this organ. And while some of us may use little or none of the so-labeled "direct" channels on other organs, one certainly must include it here in the mix (generously).
One other general point (since it does not appear to be mentioned elsewhere)—it is worth nothing that the tremulants are modeled and not sampled. Since all four manual divisions have tremulants (and as Jerry points out, the cache size is already very large indeed), one can understand why the decision was made by the producers not to nearly double the size of it further, putting it by that point out of the range of a good many users' memory configurations. (But since one has generally come to expect top-priced new sample sets to have sampled tremulants—and for those of us who find modeled tremulants in wet rooms wholly unconvincing—it's just worth noting that here they are modeled.)
But the good news is that the organ (as excellently demonstrated by John Hosking) has plenty of interesting colors even without using tremulants.